![]() There’s nothing quite like the energy of a first rehearsal—especially for a show like Noises Off. Last night, the cast gathered for the very first time to sit around the table and read through the script together. It’s always a special moment. This table read is where the actors begin to find their rhythm, hear the play out loud, and start to understand how their characters move through the whirlwind of doors, sardines, and chaos that make this farce such a beloved theatrical experience. While the cast dove into the hilarity of the script in one room, I was in the rehearsal hall with our carpenter, taping out a full-scale floor plan of the set. It’s a unique challenge with a show like Noises Off, which relies so heavily on precise physical comedy and choreography. The set practically becomes a character of its own. By taping out a life-size version of the set’s blueprint directly onto the floor, we’re giving the actors the chance to start learning their traffic patterns and blocking from day one. I also love to leave the scale model of the set in the rehearsal space from the very beginning. It becomes a constant reference point—a visual reminder of where we’re headed. Actors can look at the model and start to imagine how their characters will interact with the space once we’re on stage. It helps ground the process and gives everyone a shared sense of the final product. Side note, I will be sharing many posts about the design and in each of those posts you will be able to meet the cast.
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Behind the CurtainJoseph CummingsMy blog is all about the design process, set design, and designers I love. Take a look behind the curtain! Categories
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Recommended Set Design BookBy Clare Floyd DeVries
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